Distance makes the mind grow broader

P1010147

Photo by lindyi

It’s summer—the time of year most synonymous with travel. As soon as the weather begins warming up, we start feeling that itch to get away. Travel is something most of us crave so much that we set aside precious time and money for it, and we often enjoy the planning and anticipation almost as much as journey itself.

There are obvious, almost universal benefits of travel, like the freedom of leaving our inbox, yard work, and the daily grind behind. Other benefits are more personal, depending on whether we’re seeking relaxation or adventure, natural beauty or urban stimulation, a complete change of scene or a chance to revisit a family tradition.

But no matter what kind of getaway you prefer, scientists confirm what people have innately known for hundreds of years: The psychological benefits of setting out for a new destination are multiple and impactful. In fact, “getting away” is essential to effective thinking—it actually opens up neuropathways in the brain, because it puts distance between us and all the problems that feel “close” when we’re at work and home.

When we get geographic distance from our own problems + feel more relaxed due to being on vacation, we’re more likely to see new ways of dealing with problems at home,” writes Psychology Today reporter Alice Boyes in “5 Reasons Why Travel is Good For You: The Positive Psychology of Travel.”

Yep. The first benefit of travel, according to Boyes, is that “Geographic distance leads to improved problem solving” that’s “more creative and expansive.” Brandon Reame, Market Development Strategist at izzy+, has seen that happen first hand—not just as a result of his own travels, but also when he led a group of interior designers on an izzy+ trip to Nicaragua last fall.

“There’s something about a change of scene that gives you a different perspective,” says Reame. “It’s almost like at home you’ve been stuck attacking problems from the same angle, over and over again, and as soon as you get away you can see the whole situation differently. I loved watching how being in Nicaragua opened up the minds of the designers we took on our trip.”

Joy Eling, izzy+ Product and Brand Manager, agrees: Travel is inspiring—even when it’s just a family vacation to the beach.

“What I love most about travel is stepping outside the norm of daily life, and the flexibility and experiences that come with it,” says Eling. “That comes from creating my own schedule, which is usually no schedule at all, and being able to explore new places and experiences. It all helps me feel relaxed and inspired.”

In the “5 Reason Why Travel is Good for You” article, Boyes shares four other key benefits of travel: being more open to new experiences, which builds new skills to take home with us; developing a more expanded sense of self and what we’re capable of; being able to fully relax (a given benefit!); and returning home with more curiosity and a broader sense of meaning in life.

Reame adds another benefit: Travel impacts how we see others, which in turn impacts our ability to be Better Together.

“There are really great people everywhere in this world, from Abu Dhabi, to Cologne, to Birmingham. Traveling has allowed me meet and form great relationships in many corners of the country and world,” Reame says. “Getting out of the office is also the best way to really see what other people are dealing with. It’s hard to create a relevant brand without spending time out in the world.”

While all those benefits of travel sound wonderful, the reality is that we have to stay home and take care of business before we can afford the time and money travel requires. So does that mean our problem-solving, creativity, and relationships are destined to remain stuck when we’re stuck in the office?

Not necessarily. Especially if you’re in an environment that’s been designed with multiple “inspired destinations”—places that compel you to get away from your desk, interact with different people, and enjoy a change of scene. The impact won’t be as powerful as traveling with izzy+ to Nicaragua or Norway, but even these mini “getaways” can do you plenty of good (and you don’t have to worry about airport delays!). We’ll explore how in Part II of this blog series, as well as in our NeoCon 2013 showroom. (Now there’s an inspired destination—hope to see you there!)

izzyNicgroup
The group of designers that traveled to Nicaragua with izzy+ in November 2012.

Two companies learning & growing together, across the miles

hagtrip

What does dog sledding have to do with seating ergonomics?

Or what does a manufacturing plant have in common with a herd of reindeer?

And why would two furniture companies based more than 4,000 miles apart decide that a partnership is a great idea?

For more than eight years, izzy+ has been making treks to visit the Norwegian side of its family and uncover answers to those questions and more, firsthand.

Most recently, in March, it was a group of 11 izzy+ sales representatives who traveled to Norway, where HAG has been based since it began designing and making workplace seating in 1943. izzy+ founder Chuck Saylor met HAG leaders in early 2004, when izzy+ was just three years old, and the two companies announced alliance at NeoCon that June.

“The corporate culture and beliefs at izzy+ and HAG are so much alike,” says seating product manager Nick Fernandez, who has visited HAG twice since starting at izzy+ in 2012. “When you’re at HAG you hear the same types of stories, and see the same passion for the same things. It’s also laid back like izzy+—they don’t take themselves too seriously on a day-to-day basis, but they take what they do really seriously, just like izzy+ does.”

While the commonalities of the two companies sparked the partnership, it’s their differences that inspire such a vibrant collaboration—and make these regular treks to Norway so important—according to Rune Akselberg, a native of Norway and Vice President of Sales and Market Development at izzy+.

“The culture in Norway is quite different than in the U.S., especially when it comes to caring for the environment and general health and wellbeing,” says Akselberg. “It’s a much stronger lesson when you can experience it for yourself—when you see the elk and the reindeer drinking from the stream right outside the HAG plant, you understand that everything is connected. The choices a company makes have a broad impact, well outside its doors.”

The Norway trips, which include time in Oslo, where HAG is headquartered, and Roros, the small mountain village where HAG’s main plant is located, are all about learning through active participation in the culture, not passive observation.

For instance, at the Oslo Opera House, izzy+ groups see another type of Scandinavian design, experiencing how form, function, and people come together. When they visit a dog sled camp, they learn basic dog sledding techniques, then harness the dogs on sleds and go on a thrilling ride into the mountains. After dog sledding, the group convenes around a big fire in a teepee, where they eat, drink, and share stories—perfect object lessons in HAG’s focus on movement and izzy+’s Better Together philosophy.

“Dog sledding is an experience like no other, and it perfectly demonstrates the HAG philosophy around balance, movement, and the environment,” says Akselberg.

Laura Connell, who is based at the Chicago izzy+ showroom, says immersing yourself in Norwegian culture really makes a difference. She uses the word “profound” to describe her experience in Norway this past March.

“Norway is the healthiest country I’ve ever been to. The culture is all about balance and movement, and how our bodies are supposed to function,” says Connell. “Everything we did on the trip tied into something we were learning about HAG. At HAG they have a very holistic approach to everything—the environment, corporate responsibility, ergonomics, design—it’s all there in every chair. It was great to see it all in action, both in how they work and how they live.”

Seeing HAG’s beliefs in action has really stuck with Fernandez, who says, “No decisions are made randomly or by accident at HAG. Every decision is held up against their brand standards. It doesn’t matter how cool something is or how easy it would be to sell. If it’s not up to all their standards, they won’t make it.”

More than anything, Akselberg loves seeing groups of izzy+ travelers return home with stories to tell and a deeper, more passionate understanding of HAG, their Norwegian family.

“I think this relationship with HAG has played a huge role in how we understand and talk about important issues like the environment, and health and wellbeing at izzy+,” Akselberg says. “Learning together, experiencing something new together, is a really powerful experience. izzy+ and HAG have so much in common, but also so much to learn from each other because of our different perspectives and cultures.”

* * * * *

Pictured at the top of the post is the izzy+ group that traveled to Norway in March (photo by Stacy Marcus). Below are photos of the izzy+ group preparing to go dog sledding; people congregating and walking on the new Oslo Opera House (both photos also by Stacy Marcus); and a recent outcome of the izzy+-HAG collaboration: HAG Capisco Puls seating, pictured with Dewey 6-Top tables.

dogsledding

oslooperahouse

7361698068_df9c6f4c66_z

Making space(s) for inspiration

-2

“Inspiration”—it’s one of those words most of us are drawn to but can’t easily define.

Of course, if you look up the word in a dictionary or on the Internet, you will find definitions, but they might prompt more questions than answers.

For instance, is inspiration rooted internally or externally? Is it a pull or a push?

Can you impact inspiration, or only be open and wait for it?

And does inspiration work the same way for all of us, or is it an individualized experience?

Dictionaries don’t answer these questions, yet somehow when we encounter inspiration we know it—without a doubt. And the effects of being inspired seem mostly universal: Our minds start buzzing, energy levels spike, and time seems to stand still. We’re able to be more creative, more productive, and more focused.

In other words, the feeling is great, and so is the outcome. We’d all love to be under inspiration’s magic spell every day. So what can we do to get more of it?

An informal survey around the izzy+ office and on Twitter revealed two factors that seem to consistently impact how inspired we are: people and places. Our interactions with others, and the spaces we live, work and relax in, play important roles in how inspired we are.

Since all our interactions with others happen in spaces (and since we at izzy+ happen know a thing or two about spaces), it seems safe to boil it down to this truth: Our environments play an important role in inspiration.

Just think about the spaces you gravitated to as a child: A nook under the stairs, a window seat in an alcove, a fort in the branches of a tree. As adults, we might have a favorite table at a coffee shop, a chair on a porch, or a bar in the kitchen where everyone seems to gather at every party. Each favorite space may be somewhat unique to us, but the characteristics often overlap: People are drawn to spaces that are cozy, intriguing, out of the ordinary and fresh, yet familiar. We want alternatives to our typical office-and-desk settings.

“Even as adults, you still need a space to get away and change your point of view in,” says interior designer and izzy+ consultant, Allison Roon. “Different scenery and different people can inspire you, and help you stay engaged in whatever you’re doing.”

The recent article “Purpose: A Discussion on the Future of Office Design” also links creativity and inspiration directly to the design of spaces:

“Instead of seeking space to simply house workers, companies are now seeking spaces capable of serving and fostering communities of creative problem solvers.… In place of a generic working environment the new workforce is looking for spaces that are authentic and personal.”

Today’s workers and learners clearly want spaces that go beyond utilitarian purposes.

trellis_forum

This year’s annual Valentine’s promotion at izzy+ is all about inspiration—finding and sharing more of it as a key way to be Better Together. And the new products we’re featuring, the Nemo Bar and Trellis, are all about creating spaces that inspire, much like the tree fort of our childhood did—spaces that are cozy, intriguing, out of the ordinary
and fresh, yet familiar.

“When I was a kid, we built a fort in a stand of big trees and kept expanding it,” says izzy+ founder and CEO, Chuck Saylor. “All the guys in the neighborhood hung out there—it was a gathering place.”

That favorite childhood space definitely played a role in inspiring the idea of the Nemo Trellis, Saylor says.

“Trellis gives you that sense of going outdoors while you’re indoors, this space within a space. And when you see it, in the midst of this sea of sameness, all of the sudden you’re attracted to it and your tendency is to immediately go and explore—and hopefully to be inspired.”

* * * * *

What spaces inspire you? What design elements make spaces more inspiring? We love hearing what YOU think!

Be sure to visit our Valentine’s mini-site to hear more stories about what inspires izzy+ designers, to find out more about the Nemo Bar & Trellis, and to enter our Trellis design competition. There’s also information about registering to win gift cards or a giving-back adventure to Nicaragua.

Nemoisland

The Nemo Bar and Trellis set up as a recharge/refresh station on the first floor of the Merchandise Mart at NeoCon 2012.

A design industry give-away that gives back

As everyone in the Architecture and Design world knows, swag and give-aways are fool-proof ways to catch your market’s eye. But what would happen if the give-away was also a give-back?

This was a question izzy+ started asking a year ago as we made plans for our annual Valentine’s Day promotion, which introduces a new izzy+ product to nearly 5,000 interior designers each February. Sure, the event should include colorful izzy+ bags and custom-made chocolates (it is Valentine’s Day, after all), but what if instead of doing a drawing for something flashy, like plane tickets to anywhere in the world or the newest Apple gear, we gave away something that would support our corporate values around giving back?

“The big prizes we had done the last couple of years were flashy, but there’s no substance,” says Brandon Reame, izzy+’s Market Development Strategist and learning expert. “We wanted to promote the ideas we care about most, like giving back, supporting relationships, and offering opportunities for unexpected learning.”

So, during February of 2012, members of the interior design community were given not just chocolate and other goodies, but also a chance to go on an izzy+-sponsored trip to Nicaragua. Over 1,700 designers indicated interest in the promotion, 80 of whom later followed up by filling out a questionnaire about themselves and their interest in the trip. On November 1, six interior designers from around the U.S. flew to Nicaragua, joining Brandon and Jill Horning of the izzy+ team, along with two members of the Grand Valley State University Applied Global Innovation Initiative, which played a key role in planning and laying the groundwork for the trip. The group just returned from their giving-back adventure on November 6.

The main goal in Nicaragua, Brandon says, was helping a group of teachers in the North Central town of Esteli design and build learning toolkits for young students. The izzy+ group had to think through the interior and exterior designs of the kits and how the curriculum could best be organized.

“We’re trying to make the learning experience more inspiring and engaging for the students,” Brandon says. “Designers have great skills and an understanding for what sparks people’s curiosity and engagement. Watching these designers work side-by-side with elementary teachers who make one or two dollars a day—it was just amazing to see everyone work together to really make a difference in such a short amount of time.”

The available resources for most teachers in Nicaragua are so limited, Brandon adds, saying that many schools are little more than metal shacks with dirt floors. Students often have to bring their own chairs from home.

The izzy+ group also contributed to the design of a building that is being converted into a new learning center in Esteli. Leveraging the skills of the designers, Brandon says they reviewed architects’ construction plans then focused on providing recommendations for one aspect of the interior—creating an entrance that would be welcoming and inspiring.

In addition to the design work they did, the izzy+ group toured other schools, visited local markets and a sustainable coffee farming community, experienced cultural traditions like the holiday known as Day of the Saints, and shared meals with many local business people, leaders, teachers and university administrators.

Karin Dax, a designer from Boston, said the trip was an “amazing experience.”

“As soon as I heard about the trip I thought ‘I definitely want to do that,’” says Karin, who is an avid traveler and a fluent Spanish speaker. Helping to design the learning kits was a highlight, she says. “Once we started to understand our role and our goals, and we began talking to the teachers more about what they needed, it was really easy to contribute—we just had to dive in and use our skills to help make their vision a reality.”

And the positive effects of this trip will continue to ripple out—not only for the communities in Nicaragua the izzy+ team visited, but also for the designers back home.

“I think a trip like this puts our everyday lives into perspective,” Karin says. “In Nicaragua, the questions are, ‘Do they have running water and food? Are they able to learn what they need to learn to have a sustainable future?’ Then you come home and a client is upset about a paint color not being quite right. It makes you take a step back and realize all that we have. You reevaluate what’s important, what matters most, and what kind of work you want to be doing.”

As far as izzy+ is concerned, these types of giving-back trips are definitely a part of the company’s future.

“Giving back is a core value that runs deep at izzy+—all the way to our parent company, JSJ,” says Brandon. “And this trip reminded me of an important lesson: Bringing together a creative group of people to help support meaningful causes is extremely addicting. I cannot wait to host a similar trip again.”

Concept designs need air & light to flourish

Every idea has to start somewhere. In that sense, every furniture and product design begins its life as a “concept piece.”

But Joey Ruiter of Jruiter + Studio, an izzy+ product design partner, says there’s a big difference between working on concepts behind closed doors and getting them out where they can get some air and stir up a response.

“When I design there’s always going to be a concept stage of some sort, but something great happens when you get a chance to show the concepts to the public,” Ruiter says. “People are more likely to share their input and opinions when they know something hasn’t been finalized yet. They have a stake in it and know they can impact the final product. For a designer, that’s open-source learning at its best.

That’s exactly the process Ruiter and izzy+ founder Chuck Saylor decided to follow when they set out to design the Nemo Bar and Trellis. The design team was able to absorb and process two years’ worth of feedback before finalizing the design for production: First, the concept pieces were introduced at NeoCon 2010, then tweaked and brought back for more feedback in 2011. The polished form was presented at NeoCon 2012, where it took a NeoCon Gold Award.

“It all goes back to my belief that being transparent about idea-sharing—especially in a very spontaneous setting rather than a controlled one—is an incredibly important part of the creative process,” says Saylor. “The broader the feedback is and the more viewpoints you get, the better your final design ends up being.”

Ruiter agrees. Transparency in the design process can feel risky, but true creativity and innovation require going out on some limbs.

“If you know you’re going to take a design and make it into a product right away, it’s a lot harder to do something really new and innovative,” says Ruiter. “You end up playing it too safe and take fewer risks when you know exactly what someone wants you to design, and you’re on a deadline to get it into production.”

In the case of the izzy+ Nemo line of concept products, Saylor’s challenge to Ruiter was to imagine and help shape the future of work, at a moment when workers are rapidly becoming more mobile and collaborative than ever. To really get out in front of trends requires a sense of creative freedom as well as engagement in a broader conversation. Ruiter says that’s because people usually only think they know what they want or need. Often there’s a better, more forward-thinking solution out there, if designers are given the freedom to dream and explore.

“As humans, our imaginations tend to be so limited unless we really push them,” Ruiter says. “To see a company like izzy+ let designers like me and Chuck (Saylor) and Allison (Roon) experiment with concepts is great.”

And sometimes, bringing new ideas from concept-to-market means breaking out of existing industry grooves and expectations. It might even mean a clear category doesn’t yet exist for this new thing you’ve made.

“I think it’s great that [the Nemo Bar and Trellis] got a [NeoCon] Gold [Award] in the Systems category,” Ruiter says. “It’s funny and ironic, because it’s so different from a furniture system, but there wasn’t really a category for it. What the award says to me is that interior designers are ready for something different.”

Clearly they are. The feedback Saylor and Ruiter heard most often about the Nemo Bar and Trellis was along these lines: “We want these—how fast can you produce them?” Well, how about now? izzy+ began taking orders for the Nemo Bar in September 2012, and the Trellis is in development for a fourth quarter launch. In other words, the time to start working and learning in new ways is now. Thanks for being a part of the conversation as we design the future!

The Nemo Bar & Trellis as a touchdown/charge up station in the Merchandise Mart lobby, NeoCon 2012.

.

Chuck Saylor and Joey Ruiter chat under the wall-mounted Nemo arbor concept at NeoCon 2011.

Moving away from one-size-fits-all learning, technology & spaces

What does the future of learning look like?

In the minds of many, it looks high tech and new—a complex array of technology and apps waiting to be woven into traditional curricula and classrooms.

Others believe the future of learning should more closely mimic the ways people learned long ago—more collaboration, more Socratic dialogue, and more opportunities for hands-on discovery.

At izzy+, we think the key is balancing the two—utilizing time-tested person-to-person learning approaches, along with the best advances technology has to offer.

Brandon Reame, izzy+’s Market Development Strategist and education research guru, says schools and colleges just need to ensure that two critical components exist: a focus on people, and plenty of flexibility inherent in the learning spaces.

“The important thing is that learning needs to move away from a one-size-fits-all model,” says Reame. “The most effective learning happens when the students, along with their lives and circumstances, are taken into account. Sure, there are lots of trends in education, but if you just apply them across the board you’re not going to get great results. At the end of the day, it has to be about the students and their engagement. How do you leverage technology, pedagogy, and the learning environment to create a more engaging learning experience?”

Over the past few generations, a move toward one-size-fits-all education has gradually become a system that some compare to a factory, as a recent Fast Company article, “Replacing The Classroom-As-Factory With Collaborative Learning,” suggests.

Reame says technology provides a variety of tools to help move teaching and learning away from a factory model. Technology, after all, allows people to learn anywhere at any time, at their own pace and in their own way, accessing more information and connecting with more people than ever. The challenge, however, is to make sure these new approaches are applied in meaningful ways and in tech-friendly, flexible learning spaces.

“Technology is more mobile than ever, and students are more tech-savvy than ever,” Ream says. “Those changes generate a greater need for new, inspiring learning spaces that offer lots of flexibility. There needs to be a mix of formal and informal learning spaces, with opportunities for small groups to gather, professors to guide discussions, and people to relax and catch up on reading and thinking on their own. Integrating technology isn’t just about having places to plug in. It’s about how people learn and interact.”

Because learning, at the end of the day, is about people, just like izzy+ has always been about people first, not furniture. That’s why we think this sentiment from the post “Are Kids Really Motivated By Technology?” is a great one for designers, teachers, parents and everyone to keep in mind as students across the country head back to school:

…finding ways to motivate students in our classrooms shouldn’t start with conversations about technology. Instead, it should start with conversations about our kids. What are they deeply moved by? What are they most interested in? What would surprise them? Challenge them? Leave them wondering? Once you have the answers to these questions — only after you have the answers to these questions — are you ready to make choices about the kinds of digital tools that are worth embracing.

The Dewey Connection Cart and 6-Top Table help instructors integrate technology into the classroom while ensuring students are able to easily converse and collaborate.

.

Several Dewey 6-Top Tables can be pushed together for flexible, collaborative set ups. Dewey Connection Carts and Lecterns help instructors integrate technology.

.

Comfortable third spaces, like this one featuring Harter Forum lounge seating, are critical in learning environments because they accommodate both informal gatherings and solo study time.

How color & materials inspire: Behind the scenes with izzy+ flavors

Allison Roon and Kerry Rowe, above, created izzy+ flavors, the new color and materials program being introduced this month at NeoCon. Recently, izzy+’s writer, Kristin Tennant, sat down with Allison (wearing white and blue in the photo above) to talk about this foundational element of the izzy+ brand—why it’s important, what inspired the palette, and how, in turn, these tools will inspire designs and spaces.

——————————–

What sparked the creation of a new color and materials program?

We started developing the program more than two years ago, because we wanted to bring the izzy+ Better Together story to life through surface materials. We also wanted a color and materials program that reflects izzy+’s brand and design philosophy. It’s a very design-driven company, in a foundational way. For izzy+, that focus has never been just about product design, it also about color and materials.

What were your sources of inspiration?

Fashion was huge for us, not just in terms of trend-forward color, but also in how different elements can be put together. We love the layering aspect of fashion, and all the opportunities it brings to mix different colors and materials in unexpected, fresh ways. Fashion gives us a model for mixing timeless classic—those practical, core parts of your wardrobe—with splashes of more trendy color and accessories. The goal is to provide that perfect balance between timeless and trendy. This approach applies to a very izzy+ way of designing spaces, too.

What do you mean by that “very izzy+” approach?

Well, one of the biggest sources of inspiration for flavors was the feel and personality of the izzy+ brand itself. From its start at NeoCon in 2001, with it’s Mini Cooper parked outside the Merchandise Mart with the convoy of big tractor trailors, the izzy+ brand has been a little quirky and off-center. It possesses a strong human element that doesn’t take itself too seriously—a youthful spirit that’s easy to be around.

How would you characterize the palette you ended up with?

In terms of color, Kerry really felt izzy+ was in a position to move the [contract furniture] industry forward. We started with 15 core plastic seating colors—eight Evolving, trend-forward colors with lots of bold energy, and seven Classic colors—and then we built the rest of the program out from there.

Being a young company means we have the opportunity to start fresh and to conceptualize around color and materials. We don’t have to worry about a legacy, so we can take risks. That’s why you won’t find traditional colors like navy, hunter green or burgundy in our palette. It’s time to move on, and we think izzy+ is the company to make that move. Chuck (Saylor) and everyone at izzy+ really feels passionate and excited about bringing a relevant palette to the market. People appreciate the honesty and authenticity, as well as the quirky personality.

What does it mean for colors and materials to be “authentic”?

Authentic materials are materials that are very approachable both in how they feel and how they look. They’re enticing and demand to be touched—they invite human-to-product engagement. They’re also not stuffy or too high-end, just simple, natural and clean.

So is the colors and materials program bigger than it used to be?

Well, it’s definitely broader and more fresh, but all of the redundancies and dull, old colors were eliminated, so it’s more efficient. As Kerry and I were doing our research, we listened to several focus groups and learned that the A&D community really looks to izzy+ to provide lots of options and personality, unique, fresh colors, and something different. Many other companies in the industry are paring down their materials program right now, but designers were begging us not to do that. We decided to broaden our program, but do it responsibly, in a trend-forward way that gives the A&D market more options for expression.

Specifiers have also been telling us they need all the izzy+ brands and products to work together, and to also coordinate with other competitive environments. That was part of our thought process, as we eliminated redundancies, filled in voids, and made the whole program consistent and easier to use across the different brands.

Do you have an example?

Our laminates are a great example. We went from a total of 75 laminates being offered across the various izzy+ brands to 35, 27 of which are new. We overhauled all of the finishes—there isn’t a single area we didn’t take this thorough approach with.

Designers will definitely be happy about that!

It’s definitely going to be easier to use. Everything is consistent and works together, across the different palettes and brands. But flavors isn’t just designed to be easier to use. We also created it as a tool for designers—one that really inspires them in new ways, providing plenty of options and ideas for creating more inspiring spaces. We did all the work when we curated the program, so designers can come to us for a fantastic collection of ingredients.

When you look back at the past two years, what were your favorite aspects of the process?

I really loved the way Kerry and I came together and created the perfect team. Kerry’s background is in textile design and color, and my background is in applying color and materials to spaces. Our collaboration is a perfect example of izzy+’s Better Together mantra.

We also met with lots of materials industry people along the way, especially at the Color Marketing Group conference in Portland. There was lots of sharing and input, in both directions. Some really important collaborations and partnerships formed, and we were able to align ourselves with great companies that put the same level of importance on design, like Formica, Maharam, Camira, Greenhides, Momentum, Knoll Textiles, and 3Form.

What’s next?

This is just the beginning of the journey. We’ve included some Core and Classic offerings that will be there as a foundational platform, but the Evolving colors and materials will keep changing. We’ll always be introducing new things that keep designers excited and engaged with our product. The whole flavors brand was designed to be an innovative, evolving platform that sets the stage for the future.

Ta-da! The 15 foundational colors of izzy+ flavors. The entire flavors program was built around this core.

Technology and human interaction: better blended together

It happens every day: We’re working through a problem or wondering about a fact, and mere seconds later we have answers. Learning today is easier than ever. Information is at your fingertips when you’re holding nothing more than a smart phone in your hand, and even university classes (like the new offerings recently announced through MIT and Harvard) are readily available.

But as some things about learning become more simple, other aspects become more complex. What do we lose when we replace face-to-face interactions with face-to-computer-screen time? Is information valuable on its own, or are conversation and collaboration required to fully leverage it? How can we make the most of all that technology offers without losing the important interactions that have always shaped working and learning experiences?

“Blended Learning” is an educational approach that strives to answer those very questions—it’s all about finding the right balance between human interaction and technology. In education, the Blended Learning equation looks like this: Face-to-Face + Synchronous Conversations + Asynchronous Interactions = Strong Online Learning Environment (see the Edutopia link at the end of the post for more on that). In other words, online and face-to-face interactions are stronger when blended together than they are apart.

Not surprisingly, many Blended Learning principles apply to the workplace and to life in general (after all, we never stop learning). At izzy+, we care a lot about this because we’re big fans of learning and technology, and even bigger fans of people. Finding the right balance—one that makes the most of available tech innovations and also makes the most of what it means for people to be Better Together—plays a big part in how we think about designing for the future of work and learning.

izzy+ founder Chuck Saylor says that making the most of available technology and knowledge requires making the time and space to interact with people.

“I love all the ways technology helps us enrich our learning experiences, but I’m not sure the transfer of knowledge and information on the Internet can ever be as powerful as two people sitting down together,” Saylor says. “When people are interacting, they’re compounding all that knowledge by layering in their own experiences and life stories.”

And even though technology makes it possible for us to work and learn anywhere—we are no longer confined to desks, offices and classrooms—at the same time we need to be somewhere. Saylor says we should be more concerned than ever about our spaces. They should inspire creativity, learning, and connection with others, as well as support technology.

“The right spaces are so important when it comes to reaching this Blended Learning balance,” Saylor says. “Spaces that support both technology and dialogue help you maintain that balance—the ability to layer and enrich information and ideas. It’s a powerful learning combination.”

————————–

Want to learn more? Of course you do! (And then you’ll want to sit down with someone to talk about it over coffee, right?)

– For a great overview of Blended Learning in the education environment, check out this Edutopia post.

– For more about the recent announcement of edX, the new nonprofit partnership to offer free online courses from M.I.T. and Harvard, read this New York Times article.

– Here’s a great book to read about how places and spaces affect us: The Power of Place: How Our Surroundings Shape Our Thoughts, Emotions and Actions, by Winifred Gallagher.

– And if you want to learn more about our line of Dewey products (pictured above), visit the “learning” section of our website. Dewey was designed specifically to support human connection and technology in all types of learning environments.

Workplace design: Happy mediums for happy people

Everyone seems to have an opinion when it comes to workplace design. Some are big fans of the open plan, while others long to carve out their own space (ideally with a door they can close!). Some love the creative buzz and serendipitous collaboration that’s a result of everyone being in the mix together, but others fight against the distractions in desperate attempts to protect their productivity.

Not surprisingly, much has been written about today’s workplace design, and its impact on everything from innovation and collaboration to productivity. One recent study suggests that “ambient background noise or buzz of conversation in public places”—like coffee shops—”can fuel creativity.” Other articles, like this one about brainstorming, say that the unplanned conversations and debates that happen when people randomly cross paths are more effective than scheduled sessions (which means architecture and office layout play an important role). At izzy+, we have always believed that people are “Better Together,” and that workplace design plays an important role in the Better Together equation.

But what about when “ambient background noise” becomes overly distracting noise, that stunts productivity? And then there’s the reality of introverts in the workplace. Many people need alone-time and a focused space more than they need buzz and impromptu encounters. (The new book Quiet: The Power of Introverts addresses in great depth the needs and value of introverts in the workplace.)

With so many needs, pushing and pulling from all directions, it’s easy to wonder if a work environment that’s ideal for everyone is even possible.

Luckily, many workplace psychologists and designers (including izzy+!) believe it is! One recent New York Times article suggests that the best workplace design incorporates something for everyone. That doesn’t mean some people get cubicles, others get private offices and others get desks in open-plan spaces, according to their set-in-stone preferences. Rather, it’s design that assumes each individual has different needs at different times, depending on their project, task, and mood. It’s design that’s flexible, adaptable, and offers a variety of options.

“There is such a thing as a workspace that allows you to easily work near your team one moment, to shift into a cross-disciplinary space, and then later to unplug and find a solitary, quiet spot for some focused, kick-butt work,” says Brandon Reame, Market Development Strategist at izzy+. “The key is making sure your people have the technology and tools they need to be mobile, and then incorporating ‘third spaces’ into the workspace design. Make sure all of the things that are appealing about working in the buzz of a Starbucks are available for people who want it at work, where ideas can cross pollinate in important ways.”

What do you think? Which design elements and social factors make for a perfect work environment? Is it possible for workspaces to incorporate “something for everyone?”

Pictured above: The Nemo Enclave—a ‘third space’ for impromptu meetings or solo work that calls for a change of scene

Chocolate, love, and…learning?

Roses, chocolates, romantic candle-lit dinners—sounds like the perfect setting for a business to stay out of, right?

Well, it depends how you frame Valentine’s Day.

While the romantic take on February 14 is still plenty popular, many others—especially younger couples and singles—are opting to simply ignore what’s often thought of as a “Hallmark holiday.” But what if we thought of Valentine’s Day, instead, as an opportunity to celebrate relationships of all kinds—a day that’s all about not being an island, but being Better Together?

At izzy+, we’ve been working to reframe Valentine’s Day since 2006, when Harter began its annual February promotional. What we’ve discovered along the way is that the traditional aspect of giving at this time of year is still essential—we like to substitute the roses with the giving of time and ideas, but some of the other goodies stay (especially the chocolate!). We also think it’s important to add a second component to the giving: learning.

So Valentine’s Day can be about giving, sharing, and learning? Yes!

Learning and sharing, after all, go hand-in-hand. Learning to share is one of the first social skills we develop as children. As adults, we tend to be good at sharing things, but we often overlook how important it is to share ideas, stories, and our time.

When you flip the sentence—sharing to learn—you get to the heart of why sharing can be so powerful. When someone else shares their perspective, it stretches us outside of our comfort zones, helping us see a problem from a new angle and learn in ways we couldn’t have on our own. It’s what being Better Together is all about.

Let’s take all of that sharing and learning to another country!

Lately we’ve been thinking a lot about how, as a company, we can facilitate even more giving, sharing and learning, and tie it all into Valentine’s Day. Our annual holiday event traditionally involves giving back. This year, not only are we sharing the love by making donations to the children’s literacy organization RIF, we’re also giving our customers an opportunity to join members of the izzy+ team on the ultimate learning and giving adventure—in Nicaragua! In addition to learning about another culture together, we’ll spend some time giving to others in need, through service-oriented work. It’s just one more way to bring people together to share and learn.

What are your thoughts about reframing Valentine’s Day and demonstrating Better Together in new ways? However you go about it, we’re glad you’re out there sharing the love! Happy Valentine’s Day!